Jomm National Lampoon seals multi-territory deal with Front Row

Qualifying co-productions to access financing possibilities in both countries; eligible Dutch films will be exempt from Chinas quota on foreign films.The Peoples Republic of China and the Kingdom of the Netherlands have signed a treaty for the co-production of films between both countries. The Dutch Minister of Foreign Affairs, Bert Koenders, and Chinese Minister of the State Administration of Press, Publication, Radio, Film and Television SAPPRFT , Cai Fuchao, signed the treaty in Beijing today Oct 26 during the state visit to China of His Majesty King Willem-Alexander and Her Majesty Queen M谩xima of the Netherlands.The treaty will enhance and facilitate the co-product stanley cup ion of films between China and the Netherlands, which will be conducive to the film industries in both countries and to the development of their cultural and economic exchanges.The treaty allows qualifying co-productions to access financing possibilities in both countries. The level of the performing, technical and craft contribution of each co-producer must be in line with the financial support they bring to the project, which can be no less than 10% and no more than 90% of the production costs. The framework offers Dutch films a wider and better acces stanley cup s to Chinese audiences as eligible films stanley cup will be exempted from Chinas quota on foreign films. The treaty was negotiated by the Netherlands Film Fund and Chinas Film Bureau and China Film Co-production Corporation, with support from the Dutch Ministry of Educat Aeqp UKFC, NESTA launch $1m scheme to update film s business models

Dir/scr Tim Barrow.UK. 2010. 85minsTwo grieving souls search for solace and common ground in The Space Be stanley cup tween, a confusing but tenderhearted romantic drama that should stand as a calling card for the ambitions of writer/director/producer/star Tim Barrow and might attract attention from smaller festivals.Cinematographer Chris Martin captures some lyrical scenes of a sun-kissed city.Filmed over seventeen days for 拢15,000, the film is hampered more by a lack of storytelling clar stanley cup ity and distracting, staccato, editing than by the more obvious handicap of a lack of resources. Barrow does usethe cramped alleys, cobbled streets, historic landmarks and green spaces of Edinburgh with a fondness stanley cup that recalls such Richard Jobson films as 16 Years Of Alcohol and The Woman In Winter.In London, Steven Barrow mourns the death of his daughter. He returns home to Edinburgh seeking comfort in his old childhood haunts. Lisa Vivien Reid is adrift in the city, lost in the afterglow of a failed relationship with a married man. She is despondent and self-harming. Fate nudges them together which prompts a period of gloomy soul-searching and the possibility of salvation for both of them.Cinematographer Chris Martin captures some lyrical scenes of a sun-kissed city, but the film fails to generate a significant emotional investment in the anguish of the central characters. The decision to keep their back-story to a minimum means that we never gain a full sense of who they really are. The slender, o